Sunday, April 21, 2013

Pirates of the Caribbean with the SSO

Long have I resisted the musical call of the Disney/Bruckheimer "Pirates of the Caribbean," but I lately have caved in to my inner pirate (though in a legitimate way).

First came the Pirates of the Caribbean ride at Tokyo Disneyland. Then I bought the soundtrack while over in Japan. Today I attended the concert performed by the Sydney Symphony Orchestra at the Opera House, along with one of my brothers and his wife.


The principal composer Klaus Badelt was joined by his Media Ventures colleagues, including boss Hans Zimmer, in writing the music for the film. Media Ventures (now Remote Control Productions) soundtracks tend to have a similar sound about them and Pirates was no exception. The music is a guilty pleasure, like fast food. Easily digested with an immediate flavour hit. But it doesn't contain the subtleties of composers like Williams and Goldsmith that often only reveal themselves through repeated listening.

The orchestra, conducted by American Richard Kaufman, was performed to the film and dialogue projected on the a screen behind them, much like an actual film scoring.

I'm not a huge fan of these type of concerts as it is easy to focus more on the movie than the music.  But better this than no music and you get good at filtering when you are a film music buff.

The orchestra certainly has to be in its toes as there US no room for slipups. And I don't think there were any. We were seated in the middle of the very front row. These were cheap seats as the screen was obscured. What they gave in return were wonderful views of the strings and the conductor, so close you could smell his BO wafting down.

The bombastic music kept the string section busy, with some lovely individual cello passages and the menacing ostinato that surprised in its complexity and vigor. The percussion was well defined and drove the action. The Cantillation male choir added wordless vocals. This music, like the movie that it accompanied, was there to be enjoyed for its action and excitement, not for its originality and deep artistry, and it certainly achieved its aim, the music propelling itself to a pounding finale.

A very fun way to spend a Sunday afternoon! Arrrrr!

Update: After listening to the soundtrack again I realise that one of the great things about attending a live concert was that the music didn't sound like it was generated by a synthesizer. I suspect Media Ventures filter their sound way too much.

Saturday, April 20, 2013

Rock'n'roll and alcohol

A tremendous, almost deafening, crash reverberated against the brick walls of the neighbourhood, waking us from our slumber. It was 2am. My first thought was a lightning strike right next to the house without any warning rumbles. The next mental explanation: The neighbour's tree falling into our garage, smashing the car. I got up to investigate, B woke, but somehow Alex remained asleep.


Opening the door, still bleary eyed, I spotted a small boulder rolled against our porch. A landslide triggered by the rain, which was still falling? It was difficult to believe. Then I stepped outside.

A black Mazda 3 embedded in bushes towards the top of our driveway, interior lights still one. I hurried up to investigate, fearing that people were trapped inside requiring medical attention. Then I heard a "Sorry. I'm so sorry."


The lone driver, a young man, was standing at the top of our driveway, obviously shaken, apologising, admitting that he had too much to drink. He handed me his keys.

We gave him a phone to call his parents, only a couple of blocks away, then called the police ourselves.

Both soon turned up. Both were very courteous. The young man returned an over the limit reading on the breathalyzer and was taken away for a blood alcohol test.

The morning revealed the extent of the damage. The car was a write off, its front smashed in, one wheel wrenched off, all driver airbags deployed. It had been driving at speed up a steep hill, gone off at a tangent at the curve, mounted the kerb, smashed the top of the neighbour's retaining wall, become airborne and ripped up the murraya and callistemon shrubs between our houses, knocking a big stone down our driveway and destroying a pot that had been with us since the early days of our last house.


It was fortunate that a large dead eucalyptus tree had been removed months before as he may well have suffered serious injuries and the tree done major damage to either us or our neighbour's property had it collapsed.

The car was towed away and the guy and his father carried away the fallen shrubs and scrap in their trailer to the tip. Driving under the influence of alcohol meant that their insurance would not pay for the damage, or the smashed car, but fortunately it appears that the property damage is fairly minor anyway - for us, not them.


We frequently hear people hooning around these tight curves, certain of their superior driving skills. They don't realise how close they come to seriously injuring themselves or those that live along the street. Hopefully one now realises his stupidity in drink driving and how close he came to killing himself.

Wednesday, April 10, 2013

Reinventing the wheel - enterprise style

When management say they want to minimise support costs by settling on a single enterprise platform for websites what this can mean is that they are stifling an organisation's flexibility and capacity to innovate. Big enterprise systems often lack functionality that, while not traditionally popular in a corporate environment, can be highly popular across the general internet (social media being a case in point) or for specialist tasks. By their very nature, it can be relatively difficult to add functionality to such systems, especially when you do not want to impact upon their stability and usability of the main websites. The response, which may be valid, is usually that by using a single system you can take advantage of integration across your platform.

Allowing non-integrated third party platforms to be installed may increase support risks, but it can have allow organisations to rapidly respond to users' and customers' needs and enhancing satisfaction. As such, it should be considered as a valid strategy.

Tuesday, February 26, 2013

Inquire into enquire (Templatic)

WordPress madness yesterday. One of my colleagues purchased a Templatic WordPress theme and discovered that all the strings which should read enquiry were instead inquiry (similarly enquire was inquire). Templatic's support forums are available only to those who have purchased a theme - and Google's cache. To make the changes (and I recommend changing capitalisations as well) you need to edit the language.php file of the theme.

Do not do a simple blanket search and replace, because the constant names need to remain as INQUIRY. Only change the values.

define('SEND_INQUIRY',__('Send enquiry','templatic'));

I'm not sure if these changes will be overwritten if you update the theme.

Saturday, January 26, 2013

What's happened to the WWW?

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I can't help but feel a sense of irony that on the very day I was preparing a web page for an upcoming talk by Sir Tim Berners-Lee, the creator of the World Wide Web, so was I also dismantling one of our few websites designed to let our researchers communicate with their peers.

The WWW was developed at CERN, the European Organisation for Nuclear Research and home of the Large Hadron Collider for the purpose of allowing CERN researchers to share information about their experiments, facilities and the organisation itself, partly as a way of mitigating the loss of institutional knowledge due to staff turnover. The original proposal is fascinating for its outline of the problems and proposed solution and as Berners-Lee wrote:
"Perhaps a linked information system will allow us to see the real structure of the organisation in which we work."
When the WWW expanded out of CERN it was into other research organisations and the universities and the content was primarily scholarly in nature.

Today the WWW is a very different beast. While there is a massive amount of well researched information available resources online about an almost inconceivable range of subjects (take Wikipedia for example), the real driver appears to be advertising. Not just advertising driven giants like Google, Facebook and media outlets, but all sorts of organisations and individuals attempting to sell a product, service or even an opinion to readers online.

My organisation is not alone in forcing researchers to pass information to "communicators" who rewrite it for general consumption before it is allowed to go on the main organisational websites, even internally. The intended audience is almost never fellow researchers, but stakeholders with money (even if only the public's taxes). The content ceases to become a real information resource and instead becomes advertising.

Thankfully, there are initiatives for sharing organisational scientific information online through publications and data repositories. But for many the WWW is no longer a tool for opening up information for discovery and instead it is for controlling what information is available out in the open.

The whole point of the WWW was the ability to turn text into hyperlinks to more information about a term or resource. If that link pointed to an entirely different website then great, you had expanded the network of accessibility of that information. It's amazing what random paths you could be lead upon and what you could learn from such links. Now authors are often discouraged (apart from Wikipedia) from creating inline links, with what links that exist in a page usually designed to guide the reader along a specified path within the site.

Perhaps some of the responsibility for this change lies with web standards themselves. When it started the formatting options for web pages were very limited - the main point of a page was the content and the hyperlinks elsewhere. Now web development is all about format over content. No longer can anyone simply write up a HTML document for the web, now HTML standards are mindbogglingly complex and websites require the input of graphic designers, accessibility and search engine optimisation experts.

I love great design and the amazing tools now available online from banking and booking to satellite photo maps with incredible overlay options and video editing online. But I do wonder if the need to be visually stunning often prevents us from really communicating. It's like "Keeping up with the Kardashians" replacing a Sir David Attenborough docummentary. I think we've lost something precious in the transition.
Updated on 2013-01-26 with comments about hyperlinks.

Tuesday, January 08, 2013

Privacy and politeness

I got pretty annoyed with a fellow commuter on the train home today. This middle aged cyclist was sitting opposite us unnecessarily taking up three seats at the carriage end of a packed train. Alex had fallen asleep on my shoulder and I was rather drowsy.

This bloke lifts up his iPhone and prepares to take a photo of Alex and I.
I shook my head, but he went and snapped the photo anyway. I told him I said no, but he replied that he wasn't going to publish it and it was just a beautiful shot. I complained that he was pretty inconsiderate.

What annoyed me was the blatant impolitness of his photography. Had he asked permission I might well have said yes, but as a private individual with a small kid I feel like I should have some rights to my and his image.

Real summer

While Sydney complains about the first 40 degree day of summer I'm loving it. Sure, it's a guilty love, with the dreadful fires that accompany such days, but for someone born in Victoria these hot dry days are what summer is all about. It's like the air glowed with heat, but put me in some shade and cricket on the radio and I'm in summer heaven.

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