Thursday, October 15, 2020

The obsession with adrenalin

Today my employer arranged a guest speaker ostensibly to talk about resilience. Actually, what he mainly discussed was thrillseeking. Not only is he a medical doctor, he is also a base jumper and adventurer.

I don't understand this corporate obsession with adrenaline junkies. They are venerated as role models and staff are sent to scary team bonding sessions involving abseiling or other scary activities to somehow improve their productivity.

As the speaker said at the start of his talk, some people are genetically programmed to seek out risky thrills. And some people aren't. But as today's talk illustrated, those who are addicted to the rush appear to be determined to hook us all up to their drug of choice. 

And it is an addiction. There are many examples of sports people and adventures who, once the source of their rush finishes through injury, age or other misfortune, fall into destructive behaviours in a quest to return to their previous highs. 

Don't get me wrong, the human race needs people who will take risks and push the boundaries of what is possible. From the bottom of the deep ocean to beyond our atmosphere, the human race has been propelled forward by those who conquer their fears. 

But do we need everyone to be like them? Or should we delight in those who are satisfied with simple pleasures? Is a doctor who is satisfied in life with the thrill of a difficult diagnosis any worse than one with a passion for jumping off mountains? I'd argue that they might very well be better. 

Most organisations tend to be risk averse. Decisions have financial, legal and human consequences. There are opportunities to reap the rewards of bold decision making, but that is not enough on its own without the due diligence behind it. 

A large part of my job is cleaning up after others who seek big impact without considering the long term consequences of their decisions. Like someone who reaches the top of Mount Everest they get the glory, but it's often those who sit in the background that do the groundwork to make reaching the pinnacle possible. 

Does it matter that I hate roller coasters and heights, high speeds and big drops? That I get my thrills from solving a complex technical issue? So long as there is a willingness to explore new possibilities, to adapt and learn. To consider the risk and the reward and make a decision accordingly. 

There is the classic tale of childhood, the dare to smoke a cigarette. Maybe you might find it pleasurable, but is it wrong to look at the probable consequences and just say no? Does it really matter if most of us never go bungy jumping or sky diving? 

We can celebrate those who put their lives on the line, but they shouldn't be our only heroes. 

Friday, May 22, 2020

Adaptation

They came for me in the evening.

“I’m sorry to tell you this Mrs Saad, but your daughter has tested positive. It is vital that we take her to the facility where she can receive proper care immediately.”

“What about us?” my mother asks, the concern on her face obvious, despite her efforts to hide it.

“You and the rest of the family have tested negative. You are welcome to be tested again at one of the clinics but we have no reason to believe you are at any additional risk, despite your daughter’s results.

Now Cass, please go and pack some changes of clothes and any toiletries you need. Unfortunately, we will have to ask you to leave your phone and any other electronic devices at home as they can’t be disinfected properly.”

“But how can I contact my parents?” I ask. I can’t imagine going anywhere without my phone.

“There are telephones at the facility that you will be allowed to use. Now please come along quickly.”

One of the testers, his face obscured behind his protective mask, takes my bag of clothes from me “for sterilization” as I’m led up to the waiting bus where the other children are sitting down, a few chatting quietly, some watching a movie on the screen, most ignoring it. Some have tears, sobbing silently to themselves.

My parents barely touch me as I say my farewells, afraid of me, of the virus inside.

That was the last time I saw them.


It started without anyone paying it much heed. A sniffle, maybe a mild fever, the usual tiredness from a bug. There was nothing to worry about, nothing to do about it. Everyone gets a cold. All but the unluckiest recover without any lasting effects.

Then one day, a couple of weeks later, you’d be wheezing in the hospital struggling to breathe. Or you’d simply drop dead. The virus triggered your immune system, sent it haywire, attacking your blood vessels, your lungs or your brain.

They tried the drugs. But by the time you knew you were sick with the virus it was the immune system they needed to stop, and when you do that it’s every other disease that’ll get you. Especially when the medical system is stretched beyond breaking point.


The bus pulls into what looks to be an army base surrounded by razor wire fences and masked soldiers with weapons at the ready. I was already terrified and this did nothing to reassure me. How long did I have? Were they going to try out some experimental treatment on us? Or was it just a lot closer to where they would bury us?

The virus, officially labelled abv-456, was almost always fatal. Normally that would stop it in its tracks. But this was an devious little almost-lifeform. It was mild enough that you barely knew you had it while you were at your most infectious. And infectious it was.

We’d learned from the ‘rona, or at least we thought we had. Business, schools and community facilities were closed, people stayed home. Factories were switched to churning out protective gear and tests were prepared, vaccines promised.

People still died.


After filtering out of the bus we are made to queue at the entrance of a large hall, like the one where we have sport and assembly at school. As I reach the entrance a chunky band is strapped around my wrist. I am instructed not to remove it. Then I am given a small drink of sweet fluid.

I step through and join the crowd of other kids milling around inside. Everyone looks to be between twelve and the late teens in age.

Once the hall is full the doors are shut behind us. The lights are darkened except for those above the stage at the front. A man wearing an inflatable hood stands on the stage.

“Good evening boys and girls,” his amplified voice echoes around the hall. “I know that many of you are very concerned about your test results and of being separated from your parents. I want to reassure you that you have nothing to fear and will be well looked after here.”

“Each one of you was given a treatment for cmv-456 as you entered the hall tonight. This treatment is experimental, but safe, and we are confident that it will cure you. Just in case however, you will need to remain at this facility until we are entirely certain that you cannot infect anyone else.”


Other lessons had been learned from the ‘rona. Lessons like people not wanting to lose their jobs and businesses. Their frustration of changing routines. Their willingness to listen to conspiracies over facts.

And those at the top worried about their stocks dropping, about their influence waning. So they quietly locked themselves away and ensured that, this time, the governments would follow their rules.


“My fellow citizens. At the start of this crisis I promised you strong action to fight this pandemic and I can assure you that I have never wavered from that commitment. Today I am informed that we have completed testing the entire population for abv-456.

Whilst we await the results of these tests I would like to share with the public some excellent news. Our scientists have discovered that some of us are fortunate to have natural immunity to cmv-456. They do not appear to be able to catch the virus.

Researchers are working feverishly to replicate this immunity so that we can deliver a vaccine for all our citizens. But in the meantime we need those lucky citizens to share their good fortune with all of us.

From today all naturally immune citizens will be informed of their status and classified as essential workers. You will need to attend your nearest Jobs Centre where you will be tasked with providing the essential services on which our economy depends.

All naturally immune citizens aged twelve and above are expected to comply with this request. I regret that this service will be compulsory and that there will be penalties for anybody who refuses to support their fellow citizens.”


They lied to us. We aren’t the sick ones. That treatment was sugar water. There isn’t a treatment, there’s no vaccine. The scientists have said as much.

I was a good student. I could have been a doctor or a manager. But they don’t give us any education now, just work. Last week it was burying the bodies. Now it’s the mines. We don’t even get properly paid, just an allowance that we never see. And they keep us isolated from the norms, as we call them. We might infect them, they say. As if we could.

You see, we’ve got the survival adaptation. But you know those so-called leaders? Those politicians, billionaires, thought-leaders, visionaries? The ones they pay the big bucks to make decisions? They don’t get there by adapting. They’re too scared to. They bludgeon down anyone else who might out-compete them.

They’re afraid of us.

Saturday, April 25, 2020

Blade Runner and London

One good thing about the pandemic lock down is having the time to catch up on my outstanding entertainment list. Listening to the Art of the Score podcast on Vangelis' score to Blade Runner I am remembering my own connection to the movie's music.

Back in July 2009 I was on my first solo overseas trip, to London for a week to attend a workshop. My wife and baby son were at home while I stayed at a pokey London hotel in Earls Court without summer air-conditioning. I existed in an almost time free zone, attending the workshop or exploring London during the day, sleeping when I got back to the hotel, waking in the middle of the night to video chat with B and Alex before returning to bed.



Early in my stay I popped into the Virgin Megastore and purchased a couple of soundtracks: Jack Nitzsche's Starman and the three disc Blade Runner set.

London isn't really a city that you would associate with the imagery of the dark 2019 Los Angeles portrayed in Blade Runner, one of my favourite movies. Yet it worked very well as a soundtrack for this trip.

It's fortunate that I had purchased a DVD burner in Singapore during my stopover, as I was otherwise reliant on my Walkman phone and Samsung MP3 player for music. I hooked the burner, bought for backup purposes, and ripped the music to my very recently purchased and very slim Sony VAIO P laptop and plugged in the also slim TDK flat travel speakers, the VAIO P speakers being tiny and poor.

I love to fall asleep to music, but B doesn't share my tastes, so I took this opportunity to do so. So every night I would drift off to the hypnotic tones of Blade Runner and Starman. And this tiny room, warm with summer heat, would be transformed into an exotically dreamy Middle Eastern locale with Tales of the Future or Damask Rose.


My flight home was via Hong Kong, the city that apparently inspired Blade Runner's canyons of neon. I arrived in Hong Kong early in the morning, exhausted and needing a sleep. The hotel desk at the airport recommended the Novotel CityGate nearby.

The filtered golden brown light of Hong Kong's dusky air recalled the first meeting of Deckard and Rachel at the Tyrell Corporation. Too exhausted to do anything more, I opened my laptop on the table, lay down on the pristine bed, and fell into the most delicious of sleeps to the music of Blade Runner.



Later on, before I almost missed my final flight home, I walked the streets of Mong Kok under those neon lights of Los Angeles 2019.


Tuesday, December 31, 2019

2019 wrap up

A productive year. Migrated over 30 websites to a new server and released our new WordPress theme. Gave a talk at WordCamp Sydney as well.

Graded to 2nd kyu brown belt in karate mid-year, Alex at the end of the year, both with distinction. Travelled to Finland, Denmark and Sweden for the first time and took my first dog and reindeer sled rides. Trips to Singapore, Malaysia, the Gold Coast, Canberra and Melbourne as well.

Watched two Harry Potter movies in concert and three Star Wars movies. Then there was The Rise of Skywalker at the cinema, including a midnight screening.

Walked the Relay for Life at Cronulla and my feet were in an awful state by the end, but we raised over the target for cancer research.



After all that I was absolutely exhausted by the middle of the year and now at the end as well. Achieved so much, but never really got a chance to celebrate it. Now, it doesn't feel like celebration time. Sydney has been smothered with smoke for two months now and there is no relief from the fires.

It's frightening to think about what the next decade will bring.

Tuesday, November 19, 2019

Karate championships and Wordcamp Sydney

As the end of the year approaches life just gets busier. Fresh from going down to Melbourne the day before it was time to compete in the club's karate championships.


Alex did really well with golds in the pee wee open kumite and pee wee team blockers competitions and I got a silver in the over-35's kata, my only event.

Next day, his laser tag birthday party.


Then a week of panic as I tried to assemble my presentation for WordCamp Sydney on the Science of WordPress. I ended up writing most of it on Thursday and Friday, about 4,000 words. It was too long, but I think it went okay. I wasn't as nervous as I thought I'd be!


The crowd seemed to be mainly non-technical, so the main benefit that I got was, I think, seeing the kind of information our internal customers receive from external agencies. There were a few other ideas related to client interactions and search as well that could prove useful.

Now back to the grind with more to come...


Friday, November 08, 2019

Return of the Jedi in Concert with the MSO



Melbourne will always be the spiritual home of Star Wars for me. The last movie I saw here before moving away would have been Star Wars: The Return of the Jedi. There were queues around the city block as we lined up to watch the weekend screening. I remember it being loud and magnificent.

I have already shared many of my feelings about the movie with my review of The Return of the Jedi in Concert at the Sydney Opera House with the Sydney Symphony Orchestra from earlier in the year. But when the concert was advertised with the Melbourne Symphony Orchestra I knew that I had to go.

I've already said that the Melbourne Symphony Orchestra is my favourite of the two, seemingly more passionate about playing modern film music. But I'm not going to compare the performances here. Both were absolutely brilliant.

What was great about the Melbourne performance is that they had a pre-concert talk with Andrew Pogson and Dan Golding from the Art of the Score podcast, along with conductor Benjamin Northey (the third member of Art of the Score, Nicholas Buc, conducted the Sydney performance). As always, I learned something new about the music and I look forward to them doing a full show about it in the future!


The Melbourne Convention Centre's Plenary is a great venue. Unlike the Opera House, there is no raised podium and those up the front can feel quite intimate with the orchestra, along with a great view of the screen.

The picture quality of the movie wasn't the best, with bad compression artifacts, though this may be the movie itself. That said, I found myself seeing elements in the movie that I'd never noticed before, despite countless viewings. A big screen does make a difference.

My eyes weren't entirely glued to the movie though. I had a fantastic view of the orchestra and it was a delight to watch them play. John Williams takes advantage of the full Orchestra and it showed. Their performance was brilliant. A couple of highlights: Yoda's Death was as beautiful as last time with the live orchestra and "Into the Death Star" sounded better here than in the film (it sounds like it is tracked from the original Star Wars soundtrack with its lower recording quality in the movie).

I actually prefer the concert versions of a couple of my favourites, the Sail Barge Assault and Into the Trap and the music was a bit overwhelmed in the live performance, but that was consistent across orchestras so can't be considered a criticism.

Knowing what to expect this time, I didn't mind the lack of the choir so much. I almost had tears in my eyes as the Victory Celebration played.

At the end of a gruelling final hour straight of constant action cues the conductor did a final bow, his head wet with perspiration from the performance. And I walked out happy, the long ride down completely worth it.

Bravo!

Saturday, September 14, 2019

The Force Awakens in Concert with the SSO


I have a dark secret to reveal. I am of the First Order.

Last year I was the first to order a 2019 subscription with the Sydney Symphony Orchestra. Darkness fell over Hogwarts, I saw the Empire defeated in Return of the Jedi and a new Empire reborn in The Force Awakens.


Now that I've heard the three original Star Wars movies in live concert with the Sydney Symphony Orchestra, how does the first of the reawakened movies fare?

Awesomely well!

As the conductor Nicholas Buc said in his introduction, with the release of The Rise of Skywalker, John Williams' contributions to the Star Wars universe will have spanned 42 years (the answer to life, the universe and everything). Though the movies retain some common musical themes across that time, Williams' style has also evolved.

For me, I guess his nineteen-eighties period is the one I identify most with, but it also means that his newer compositions have a freshness about them.


We start with the familiar with the famous Star Wars opening theme, taking us back to that galaxy far, far away. Then we are transported to a new world, Jakku, along with some new Stormtroopers.

The flashes of older themes, the Rebel Fanfare escaping in the Millenium Falcon, Han Solo and the Princess and most of all, The Force Theme, each evoke memories and feelings that Star Wars transcends mere movies to have become part of the fabric of life.

But there is plenty of new music representing new characters, planets and the evolution of the two sides. Rey's theme, is simply beautiful, its components finding many forms throughout the movie. Kylo Ren's music is very effective performed live, despite its simplicity.

Where the music shines most of all is in the action sequences, with the TIE fighter escape and the March of the Resistance especially thrilling and well suited to the concert hall. It was difficult to watch the action on the screen with all the motion in the orchestra itself.

The music is often allowed to shine in the movie and not be overshadowed by dialogue and special effects. The orchestra was spot on tonight. It was astonishing to see how many elements of the orchestra were performing at any one time, but that is John Williams for you. I kept hearing new elements to each piece, different instruments shining through.

Unlike the original trilogy, no complete edition of the score has ever been released, with some pieces on the soundtrack concert arrangements. Even the final credits differs, from lacking Princess Leia's theme to the concluding bars. That gave another sense of freshness to tonight's performance and meant that I wasn't comparing it to the recordings.

I came out of the Sydney Opera House's concert hall entirely satisfied with the SSO's performance of The Force Awakens. That should conclude my attendance at this year's SSO's performances, though I've got one more booking for Return of the Jedi with the Melbourne Symphony Orchestra in a couple of months.

I have definitely felt an awakening in the Force and I can't wait to hear the Last Jedi and the Rise of Skywalker in future! Pity the SSO isn't offering subscription packages for next year.



If you want to get an appreciation of the music in the Force Awakens and other movies I really recommend the Art of the Score podcast, featuring tonight's conductor Nicholas Buc, along with Andrew Pogson of the MSO and Dr Dan Golding, a lecturer and composer himself. Not only do they explain each score in a highly accessible manner, there's a lot of fun to be had along the way!

Sunday, August 18, 2019

Return of the Jedi in Concert with the SSO


It's October 1983 and third and final instalment of the Star Wars trilogy, The Return of the Jedi, has just been released in Melbourne. The queues for the cinema stretch around the corner of a city block. Will Han Solo be rescued? What will happen between Luke Skywalker and Darth Vader now he's been revealed as his father. Can the Rebel Alliance defeat the might of the evil Empire?

I'm nine years old and unfortunately I already know the answers to those questions because I bought that darn picture book of the movie before its release. I really wanted to know who that cool Biker Scout figurine I bought is.



That taught me not to indulge in spoilers!

Anyway, we go into the cinema and am totally blown away by how loud the movie is. And I come out humming some of the Ewok music.

Three years later we have returned to Melbourne on a holiday and visit my favourite department store, Myer. I always liked film music, but from the library nearest my new home outside of Rockhampton I have discovered soundtracks. From Myer I select the soundtrack cassette of Return of the Jedi as my Christmas present. It is the first one I ever own.

I love it. Next to John Williams' score to ET: The Extraterrestrial it is my second favourite score of all time. But the release is missing a lot of music. When Return of the Jedi is released on video I record the audio on to a cassette and mentally remove the dialogue and special effects just to listen to the music.

Eventually a boxed set of the trilogy is released with more, but not all, music.

In 1997 the three Star Wars movies were rereleased as special editions. My girlfriend (now wife) and I would treat ourselves to the movies after university. When the Return of the Jedi Special Edition finally screened I felt the adventure was truly complete. It also meant that the complete music (minus a bit of background source music in Jabba's palace and barge) was finally released.

But what I wanted more than anything was to hear that music played live.

Finally, thirty-six years later, I had that chance.

I've already been to the Star Wars: A New Hope and The Empire Strikes Back in concert, both held in the new Sydney International Convention Centres (plus one in Melbourne), but for reasons unknown to me Return of the Jedi was moved to the Sydney Opera House. Conducting duties for the Sydney Symphony Orchestra were again given to the wonderfully enthusiastic Nicholas Buc.

I was seated in smack bang in the middle of the Circle, sitting three rows back, a wonderful view of the screen and the orchestra. Despite my suggestion over Twitter to the conductor earlier in the week there were no stormtrooper helmets visible as percussion instruments!

Unfortunately, the other two in my family have given up on my concert obsession and so I went alone, though I did bump into my ex-colleague Daniel and his family in the foyer.

Finally the 20th Century Fox Fanfare sounded and the movie and concert began.

There are many reasons that I rate the music to Return of the Jedi so highly, but a major one is the incredible richness of the thematic material. Old favourites are reused and rearranged and so many new motifs are introduced. Right from the start with the grand entrance of Darth Vader into the Death Star.

The Sail Barge Assault (labelled The Return of the Jedi on the original soundtrack release) is the piece I'd use as a end piece to a concert of John Williams music, so thrilling with a triumphant finale. As is the drama of Into the Trap, as the rebels find themselves block on the ground and in space by Imperial forces who knew they were coming.

Unfortunately, some of the action pieces were marred by unclear sound and a growl on the brass sections, along with the loud sound effects on screen.

Some of the gentler passages fared much better, none more so than the Death of Yoda, with his theme and the Force theme coming together so very beautifully on the strings and wind. That alone was worth the price of admission.

The second half of the concert featured, according to the conductor, 62 minutes straight of complex mostly action music. I hadn't realised until the concert how intense it actually is and the orchestra did a phenomenal job of performing it, having to keep in perfect sync with the film the entire way.

What was missing was a choir. The deep wordless tones to accompany the Emperor were mostly carried by the strings, but some of the emotional impact of the final battle between Luke and Vader, that so brief but so powerful music, was lost. The final celebration music also sounded hollow without the singing, and that's a pity because I love that Special Edition sequence which conveys that the Rebel Victory resonates across the whole galaxy.

Putting these quibbles aside, I am so happy that my dream finally came true. What excites me even more is that I'm booked to see it again in November in my spiritual home for Star Wars with the Melbourne Symphony Orchestra.

But before that it's the start of the new trilogy with Star Wars: The Force Awakens in Concert with the Sydney Symphony Orchestra next month.

Until then, my the Force be with you!


Wednesday, July 10, 2019

Harry Potter and the Half-Blood Prince in Concert



Have you ever heard of a bloogle resonator before? Me neither, but I counted at least six of the whirly tubes in action tonight as the Sydney Symphony Orchestra and Sydney Philharmonic Choir performed Nicholas Hooper's score to Harry Potter and the Half-Blood Prince.

We are now in the territory of Harry Potter movies I've seen only once before. They are dark now, more difficult to watch as people you care about die. Likewise, this score is one I am less familiar with. I recently discovered it languishing in an obscure folder on my music repository, not having it made it on to my phone.

That wasn't always the case, as I do remember listening to it a decade ago last month, sitting in London's Heathrow Airport on my first international trip by myself. But that is another story.

Being less familiar with the story meant it was often difficult to focus on the music over the movie. Hooper's score still shone through, especially the choral In Noctem, the gentle harps of romance, the festive Fireworks music and, of course, the thrill of Quidditch.

You can spot the bloogle resonators as the Death Eaters converge on the Wesley's home.

Nicholas Buc's conducting was, as ever, superlative and fun to watch in itself. I'm also enjoying his contributions, along with Andrew Pogson and Dan Golding, in the Art of the Score podcasts.

That concludes the Harry Potter performances for 2019 with only Alexandre Desplat's scores to the two Deathly Hallows movies remaining. Next time it's back to the Star Wars universe!

Tuesday, June 11, 2019

A John Williams Journey

Inspired by Dan Golding's John Williams presentation on ABC Classic I've put together a selection of ten tracks to take you on a musical journey through the world of John Williams.

These aren't necessarily his greatest his greatest hits or his most familiar themes. Instead I've pulled together ten of his lesser known pieces to illustrate the diversity and emotional power of Williams' music.


1. Journey to the Island (Jurassic Park)

We begin our journey in prehistoric times, or at least a recreation of them, as we fly to Isla Nublar and Jurassic Park. That first sight of the dinosaurs on the island has to rank as one of the greatest moments in cinema and John Williams' noble theme never fails to bring a tear to the eye.

2. The Olympic Spirit (1988 Olympics)

A long journey requires endurance and spirit. Williams has composed music for four Olympic games, but this is my favourite. I remember camping in outback Central Queensland with only a radio to keep abreast of the Seoul Olympics and each broadcast would be introduced with The Olympic Spirit. I didn't know that John Williams composed it at the time, but it's little wonder I fell in love with its rousing theme.

3. A Window to the Past (Harry Potter and the Prisoner of Azkaban)

Our journey now takes us to a magical place, but one with a dark history. Harry Potter and the Prisoner of Azkaban was my favourite movie of the series, no doubt in part due to John Williams' wondrous score. This haunting theme is one of many in this episode, as Harry and his teachers recall Harry's murdered parents. The Prisoner of Azkaban was the only movie shown on our first flight to Europe and the soundtrack represented the magic as we travelled through countries with their own dark pasts.

4. The Book Thief (The Book Thief)

Staying in Europe's past here, The Book Thief conveys both the horror and the humanity and hope of a young adoptee in Germany during the Second World War. Though famous for his big scores and grand marches, John Williams has composed many delicate scores for much smaller movies, and The Book Thief is a fine example of this. I first watched the movie on another flight, this time to Japan, with the score now reminding me of flying 40,000 feet above the ocean on a sunny day, so far away from the cold grey Germany portrayed in the movie.

5. Becoming a Geisha (Memories of a Geisha)

We've now landed in Japan, my favourite country other than my own! I believe that Memories of a Geisha was one of John Williams' finest scores in recent memory, combining Western melodic sensibilities with a genuine Japanese sound. Becoming a Geisha propels me along the incredibly scenic railway line through the mountains to historic Takayama, the whole soundtrack capturing the beauty of the country in spring.

6. Midway March (Midway)

John Williams is the master of the march. This is one of his lesser known ones, but one I have a lot of fondness for as the US Navy goes into battle with the Japanese aircraft carriers in a pivotal battle of World War Two.

7. Toy Planes, Home and Hearth (Empire of the Sun)

Staying in the Pacific Conflict of World War Two, this time we follow the story of a young English lad growing up as a prisoner of war when the Japanese invade China. This particular piece interpolates Chopin's Mazurka Opus 17 No 4, but is beautiful on its own if you can get your hands on the special edition release of the soundtrack. 

I first heard this music as a new release on ABC Classic FM and it immediately evoked strong imagery. I then borrowed J.G. Ballard's book from the library and it too was powerfully visual. It was with great surprise that I saw those same pictures in Steven Spielberg's screen adaptation

8. Parade of the Slave Children (Indiana Jones and the Temple of Doom)

The journey moves to India with the rousing struggle of child slaves freeing themselves from an evil cult. Musically I always thought that the first three Indiana Jones movies followed those of the Star Wars movies, with the second introducing a number of memorably great themes.

9. ET and Me (E.T. The Extraterrestrial)

After a long journey one can get rather homesick. This time we are not the travellers, but the ones meeting a traveller from very, very far away. This particular piece captures the wistful sadness I felt at living so far away from my previous home in Melbourne. Everyone knows the Flying Theme from ET, but the movie has so much great music, this being a concert arrangement of the relationship between ET and Elliot. Just to listen to this soundtrack is an amazing emotional journey in itself. 

10. The Return of the Jedi (Star Wars: Return of the Jedi)

Finally our journey comes to a close in the most triumphant way possible. No John Williams journey would be complete without Star Wars, the movie that introduced me to film music a long time ago, in a city far, far away.

I could easily have chosen a hundred more songs to include in my list, but each of these pieces is a soundtrack to my own emotional and musical journey through life. I hope that you have enjoyed the list and find your own joy in the music of John Williams.

Spotify playlist (Hopefully this works, as it's my first time using Spotify!)


Sunday, May 05, 2019

Sutherland Shire Relay for Life 2019


Over 8 hours of walking, more than 60,000 steps, 30 minutes sleep and two very blistered feet.

This year I joined the Dark Fire Fitness team in the Cancer Council's Sutherland Shire Relay For Life to raise funds for cancer research and treatment.

After Alex's tennis tournament I arrived at midday to Don Lucas Reserve at Cronulla to find most of the other members already there. We had a simple marquee and small tent setup. The previous day I'd spent the afternoon and evening deep frying cekodok pisang (banana fritters), karaage chicken and inchi kabin (Malaysian spiced chicken) to share amongst the team.


The relay involves maintaining a constant walking (or running for some) relay along the 400 metres track for 24 hours.

I preferred doing the late night shifts after 10 pm to avoid the loud live music blaring out from the main stage, walking for one period between 10 pm  to 1 am, then another between 3 - 4 am when I found it too cold to sleep.




I had my bag decked out with electroluminescent wire and a Microbit programmed to display animations and the current temperature on its LEDs. The lowest it showed was 12 degrees Centigrade.

By the end of that last walk my body had well and truly enough, my feet too blistered to continue. I staggered to the only food truck still open, a poffertjes stall, and carried my little batter balls and some ice cream off to the food tent, which offered a modicum of warmth and shelter. They tasted so good.

Then I managed to fall asleep in a camp chair for about half and hour, waking to see the sunrise. Somehow I dragged myself up for another few laps before the relay closed at 10 am, just as the rain started to fall. Whatever pain I felt was nothing compared to what cancer sufferers go through and it felt special to have a chance to high five survivors as we did those final laps.


It was good to chat to the other members, who I know through karate, as we walked and to have some rare quiet time alone to listen to a podcast. The reserve is also in a great location to watch aircraft on their take-off or landing approaches into Sydney Airport.

I could barely walk through Miranda after B and Alex picked me up this morning and, once home, enjoyed a hot shower before falling fast asleep for a few hours.

I'm looking forward to doing it again next year, but with some better preparation and hopefully somewhere warm to sleep.

Tuesday, April 30, 2019

Harry Potter, Star Wars, Lego robots, driving north and piloting planes


The term one holidays are over and what a break it's been, if break is the right way to describe it. I do feel kind of broken.

It started, for me, with the Harry Potter and the Order of the Phoenix in Concert. The next day I joined Alex and his friend mountain biking at Wylde Park and managed to stack it, giving myself some painful bruises and scrapes. I think that's it for me and mountain biking.



While I worked for a few days Alex attended a couple of Lego EV3 Mindstorms robotics workshops at ANSTO. He especially enjoyed the sensing and data logging session.

Then it was holidays, with my longest time behind the wheel driving up to Coffs Harbour, Port Macquarie and the Gold Coast.


I had one day of work in the final week and it felt like it was the whole week packing into that one day, while Alex and B went swimming at the Olympic Park Aquatic Centre. Maybe I developed an allergy to work, but I felt pretty sick over the weekend.

B, Alex, and Alex's friend drove down to Nowra for some adventures in the trees while I stayed home sick in bed, but was well enough the next day to visit the Flight Experience open day and spend some time in the 737 simulator.


We also visited the excellent Star Wars Identities exhibition at the Powerhouse Museum. The well constructed exhibits make you think about who you are and how you have been shaped. They also house some fascinating models, costumes and plans from the movies. The intricacies of the constructions have to be seen to be believed.





Back to work, back to karate for me on Monday, but one pupil-free day more for Alex. Now it's time to plan the next break.

Saturday, April 13, 2019

Harry Potter and the Order of the Phoenix in Concert


As the first school term of 2019 ends so another year of Harry Potter begins. As for my son, it's Year 5 for Harry and things are getting darker.

I'm at the Sydney Opera House with listening to the Sydney Symphony Orchestra play the soundtrack to Harry Potter and the Order of the Phoenix while the movie is played on the big screen.

The charismatic Nicholas Buc conducts.

I've reviewed enough of these concerts now that it's difficult to write anything new. This is the first of Nicholas Hooper's two efforts in composing a Harry Potter score and I'm rather fond of the soundtrack.

There is a delicate touch to many of the compositions with plenty of tuned percussion from the xylophone family (I couldn't see from my row) and some strong string passages for the more dramatic moments. Very different from John Williams and Patrick Doyle's writing for the previous movies.

The only thing missing seemed to be the electric guitar in the Fireworks piece, though I need to confirm that in the movie as opposed to the soundtrack recording.

The live orchestra really enhanced my enjoyment of the soundtrack. It was lovely and clear against the visual backdrop and the Sydney Symphony did a fine job of performing what I suspect is some quite difficult music.

I'm looking forward to their next effort with Harry Potter and the Half Blood Prince in July.

Sunday, March 24, 2019

Leaf


If I were a leaf
I'd be a thief
Stealing sunshine from air.

Some other plants
Would envy my grants
Others wouldn't care.

For when I pass
Down I dance
Carrying gifts from toil.

My days in the sun
Now I've won
Nutrients for the soil.

New leaves grow
They will know
From where their bounty came

From sun and air
The soil we share
Life is renewed again.

Tuesday, March 12, 2019

Ishinryu Summer Camp: 5 days of karate


I was too knackered to post about the other two days of the 25th Annual Summer Camp. We had our usual Monday session in the dojo last night, except it wasn't usual because the founder of Ishinryu, Sensei Ticky Donovan was there watching our mistakes.

I guess we couldn't have been too bad because he awarded Sensei Tony his 8th Dan, Sensei Alison her 6th and Sensei Leighton his 5th. All richly deserved in my humble opinion. Sensei Ticky is based in the UK/Thailand and his visits to Australia are increasingly rare. It's been maybe four years since the last time.

Anyway, that capped off five days straight of karate. Thursday and Monday in the dojo, Friday and the weekend at Wollongong.

I did almost every session, except for the competitions and the tai chi/yoga when I was helping with the kids' blocker competition scoring. Alex's team came second in that one after getting gold last year. He missed out on medals in the team kata competition, where an experienced teammate pulled out to join another team and another was felled by injury, leaving him with a single, younger, but enthusiastic teammate.

Alex didn't compete in the kumite. There weren't any others in his age group even if he did want to give it a go.

He did come second in the beach run! I'm just happy that he participated in the events and most of the lessons.



Us seniors tend not to compete. It's a pity as I wouldn't have minded doing kata if I wasn't so utterly exhausted. Not the kumite, not against the Fijians and the giant ex-rugby league player who trains at our dojo.

I feel like I learned a lot at the camp, though it can be difficult to quantify. Some of it is more "aha" moments than new concepts. In partnering with someone from another school I realised how line really affected the technique we were practising. I also watched the very fast hands of Sensei Ticky and Sensei Ryan and how their movements flowed. Not sure I can ever replicate that.

What was somewhat frustrating were the corrections on technique. Some Sensei Ticky has changed since he was last at the dojo, others were small things I have probably been doing wrong all this time. there is a lot to unlearn and it must be done because as we rise through the ranks we demonstrate to the younger students. We must know how to do it right to teach it right.

Apart from that Alex and I had a swim in the pool and played tennis between sessions. B came up on the Saturday and they played mini golf together.

Despite being exhausted at the end of each day I haven't slept well, especially as Alex had me getting up at 5.30 am and training my body for this bad habit of his. I was close to my limit when I drove back on Sunday night and then we had Monday...

A couple of days' rest now and then it begins again on Thursday.

Friday, March 08, 2019

Ishinryu Karate Summer Camp 2019 Day 1


We've only had one session and already I'm confused. Everything I learned about Pinan Yon has been changed by our master Sensei Ticky Donovan.

It's that time of year, the Summer Camp. This year it's a 25th anniversary special with Ishinryu's founder attending.

I'm not in the most receptive state for change. It's been a bugger of a week at work and the two weekly karate lessons were exhausting too, along with a changed Alex routine due to this weekend interruption to our normal programming.

Today was hard too. Washed clothes, vacuumed, ironed on badges for the new gi (they are already coming off), baked brownies, shopped for food to take and finally packed the car. I was slightly late to pick Alex up, but his teacher came out to tell me what a wonderful student he was, so attentive and ready to participate that it made it all worthwhile.

Then off in a packed car to the Wollongong Surf Leisure Resort by Towradgi Beach. No sooner had we carried in the bags of gear brought down from the dojo in our boot and we were put to work laying out the mats. We barely had time to drop off our own bags and change into our gis before we were back doing karate on those mats.

It was a nice dinner at the pub across the road, meeting a fellow karateka with the first name Rhythm, along with many of the usual suspects.

Our cabin is smaller than last year but better for our needs. An early start tomorrow, so time for bed. Q

Friday, February 08, 2019

SSO: 2019 Season Opening Gala



It's 2019 and time for another concert. Actually, I wasn't planning to attend any this month but the Sydney Symphony Orchestra offered a couple of free tickets to some 20th and 21st Century music so who was I to refuse, especially when David Robertson is conducting?

Richard Strauss's Thus Spake Zarathustra isn't quite 20th Century, but it was made famous by a rather famous movie called 2001: A Space Odyssey, so that counts. The only bit I'm familiar with is the Introduction: Sunrise.

For the rest of the piece it sort of felt like Zarathustra spake too much, but I'm not a huge classical music fan. Too much exposure as a child I should think. But it was certainly interesting from a tonal sense, watching the different elements of the orchestra, including the massive pipe organ looming high above the stage.

A large portion of the orchestra disappeared for Nigel Westlake's Oboe Concerto Spirit of the Wild, written for the SSO's Diane Doherty.

Doherty's virtuoso oboe performance was amazing, but I really enjoyed the accompanying orchestral melodies. Westlake has composed for a number of films and I could quite imagine some cinematic scenes for his music. What I couldn't really see was the Tasmanian wilderness that inspired the score - My own experiences would have lead to very different music. Still, this was the highlight of the night in my opinion.

The orchestra returned for the final piece of the night, Percy Grainger's The Warriors. In fact, it expanded with three pianos on stage, a celesta, two harps and a number of other instruments including a heckelphone, which sounds like an audience rather than an instrument.

The conductor had to enter from the right as there wasn't any room through the normal entrance.

I thought all that sound made the piece rather muddy. It lacked a strong melody and again, it wasn't really my thing. But it was visually spectacular and picking out individual sections made the experience quite interesting. Some of the brass also decamped during the piece and you could hear them play outside the concert hall, which was a curious development.

David Robertson, the Chief Conductor and Artistic Director of the SSO, was mesmerising to watch, his conducting a performance in itself. If that baton was a wand the spells he would create would definitely be those of a grand musical wizard.

I'm glad I had the opportunity to attend the opening Gala and am looking forward to a year full of music.


Monday, December 31, 2018

Farewell 2018


The year began with fireworks and a rumbling sky and it promises to end that way as well. No surprise really.

Looking through my non-travel highlights for 2018 and it seems they are mainly concerts or karate. The first concert of the year was Star Wars with the SSO in Sydney, the last The Empire Strikes Back with the MSO in Melbourne, just this month.

As for karate, by the end of the year both Alex and I had graded to third kyu blue belts and we both won medals in the club tournament, though my was more due to a lack of competitors.

Alex was also awarded the MVP trophy for tee-ball at school. It's the first year he's done interschool sports, first soccer, then tee-ball. I'm very proud of him, even more so for his amazing academic achievements.

We hosted another Japanese student, Satoe, through the school. She was great, another big sister to Alex.

Both B and I worked hard in our jobs. It's been a stressful year for her, learning the ropes of her new role. But she's got through it.

I was very pleased to release version one of a new WordPress theme framework that promises to make developing new themes much easier for us. We "finished" it just before Christmas, so we'll see how it goes in the new year.

The other two haven't last until midnight and even the dog would rather be in bed. The neighbours have been letting off their own fireworks, but I'll stay up to watch the city midnight show from our driveway.

Hope your year has been good and all the best for the new one.

Tuesday, December 18, 2018

The Empire Strikes Back in concert with the MSO


A long time ago in a city far, far away a young boy went to his very first movie at the cinema, an epic of duelling starships, aliens and a mysterious power called "The Force".

The year was 1980, the movie, Star Wars: The Empire Strikes Back, the city, Melbourne and the young boy was me aged six.

My best friend Dishan and his father picked me up from home and together we drove into the city for a night time viewing of the second Star Wars movie. I recall loving it, but being rather confused at some points. Why was (force ghost) Obi-Wan Kenobi good at the beginning and evil (hologram Emperor) later on? What should I call the dog walker vehicles (AT-ATs)? And... Well, I can't remember because it was such a long time ago.

Afterwards I used the small amount of pocket money given to me by my parents to buy a Kit-Kat.

And so began my long love affair with Star Wars and its music.

I saw the Empire Strikes Back at least twice more in Melbourne, saw Star Wars on video and then at the cinema, queued up for Return of the Jedi. Even though we then moved away from Melbourne I managed to return to view Attack of the Clones, Revenge of the Sith and The Force Awakens at cinemas there.

In my mind the movies, the music and Melbourne are inextricably linked. When I hear Yoda's Theme I am always taken back to the elegant southern city of my birth, recalling the yearning to return from my many years of exile elsewhere in Australia.

So despite watching The Empire Strikes Back in Concert with the Sydney Symphony Orchestra back in July I knew I had to go down to Melbourne to see it there as well.

When it comes to performing film music I have always sensed a resistance and lack of respect from the Sydney Symphony Orchestra, whereas the opposite is true from the Melbourne Symphony and that was another incentive to head south.


Prior to the Sunday matinee concert the three members of The Art of the Score, comprising the conductor Nicholas Buc, Andrew Pogson of the MSO and Dr Dan Golding, held a highly informative pre-concert talk. I admit that, despite my passion for film music, I rarely analyse it, so I learned a lot from the talk and will be downloading their podcasts in future!

The Dad Joke level humour was also much appreciated and it was great to have a chance to talk to the team.

Meanwhile, in the lobby there were Stormtroopers and Imperial Officers, along with a jazz band doing a fine rendition of the cantina music from the first Star Wars movie.

The performance was held in The Melbourne Exhibition and Convention Centre's Plenary, a huge venue that I'd previously sat in for a couple of Doctor Who concerts. Unlike in Sydney, this time I was seated in a premium row close to the stage with a perfect view of both the movie and the orchestra. The acoustics sounded fine to me with great definition of the individual instruments.

Seated next to me was Dr Golding of The Art of the Score, a nice surprise. I'll apologise for any incoherence in my conversation, coming off an overnight trip on a train.

Armed with the knowledge from the talk I had fun identifying elements within the score, keeping a closer eye on the orchestra than on the film itself. One surprise was how often the piccolo features in the score, from that very first rendition of the Imperial March soon after the opening credits (which I never realised until it was pointed out) onwards.

I don't know what to say about the performance itself except to say that it was as close to perfection as you can get, an incredible feat considering that the music is performed in real time. Studio recordings are done over days and weeks with the best performances edited together.

I left the concert feeling like the effort and expense of getting there was fully justified. It may be 38 years since I first saw the film, but today I was a young boy feeling the thrill of seeing and hearing one of the best movies and scores of all time all over again.

Onwards to Return of the Jedi!

Monday, September 24, 2018

3rd Kyu


Bit more self gloss. Two terms after the last grading I've now made 3rd kyu blue belt in Ishinryu Karate, with distinction.

That was unexpected! It took me five terms for the last grading and only two for this one. Then again, I have been spending between five to six hours a week, three to four days, at karate and even helping out with a bit of instruction.

I think that helped a bit because I certainly wasn't perfect tonight. I'm not sure if it was the anxiety of grading or something else, but I felt awful all weekend and today.

Alex has been busy with tennis and wasn't read to grade. Next term. One of his best friends from school failed his green belt grading, along with most of the others going for it. Very sad.

Next stop brown belt. It's getting serious!

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